The Annapolis District Drama Group presents:
Love, Sex and the I.R.S
written by: William Van Zandt and Jane Milmore
directed by: Miles Leahy
- Friday November 29 at 7:30pm
- Saturday November 30 at 7:30pm
- Sunday December 1 at 2:00pm
Love, Sex and the I.R.S. is a classic farce, set around tax time. Two out-of-work musicians, Jon Trachtman and Leslie Arthur, are rooming together in New York City to save money. Jon files his tax return listing the pair as a married couple … and then chaos begins when the Internal Revenue Service comes to investigate. Life becomes very, very complicated!
Join the ADDG (Annapolis District Drama Group) when they present this rib-tickling comedy. It’s written by William VanZandt and Jane Milmore and directed by Miles Leahy. The cast includes all-time favourites from ADDG, as well as some surprises in casting, proving that ADDG has lots of talent when it comes to acting.
Tickets are on sale now so reserve your seat early!
TICKETS available on line or at the Box Office (902.532.7704)
- Adults: $16
- Youth : $8
Click here to see a PDF of the Seating plan. Let us know your preferred seat and we will secure the closest available option. Tickets will be held at the Box Office for pick up.
Online ticket sales for this event are closed.
The Annapolis District Drama Group presents:
Love, Sex and the I.R.S
written by: William Van Zandt and Jane Milmore
directed by: Miles Leahy
- Friday November 29 at 7:30pm
- Saturday November 30 at 7:30pm
- Sunday December 1 at 2:00pm
Love, Sex and the I.R.S. is a classic farce, set around tax time. Two out-of-work musicians, Jon Trachtman and Leslie Arthur, are rooming together in New York City to save money. Jon files his tax return listing the pair as a married couple … and then chaos begins when the Internal Revenue Service comes to investigate. Life becomes very, very complicated!
Join the ADDG (Annapolis District Drama Group) when they present this rib-tickling comedy. It’s written by William VanZandt and Jane Milmore and directed by Miles Leahy. The cast includes all-time favourites from ADDG, as well as some surprises in casting, proving that ADDG has lots of talent when it comes to acting.
Tickets are on sale now so reserve your seat early!
TICKETS available on line or at the Box Office (902.532.7704)
- Adults: $16
- Youth : $8
Click here to see a PDF of the Seating plan. Let us know your preferred seat and we will secure the closest available option. Tickets will be held at the Box Office for pick up.
Disclaimer: ” ‘Love, Sex and the IRS’ is a hilarious farce written in the 1970s and with occasional bawdy language and sexual references which some may find inappropriate by today’s standards. Minor changes have been made to soften the impact on our audiences, however the Annapolis District Drama Group is dedicated to honouring the author’s original script and intent. There remains situations and language which may offend or be upsetting to some people.” – Miles Leahy, Director
Online ticket sales for this event are closed.
The Annapolis District Drama Group presents:
Love, Sex and the I.R.S
written by: William Van Zandt and Jane Milmore
directed by: Miles Leahy
- Friday November 29 at 7:30pm
- Saturday November 30 at 7:30pm
- Sunday December 1 at 2:00pm
Love, Sex and the I.R.S. is a classic farce, set around tax time. Two out-of-work musicians, Jon Trachtman and Leslie Arthur, are rooming together in New York City to save money. Jon files his tax return listing the pair as a married couple … and then chaos begins when the Internal Revenue Service comes to investigate. Life becomes very, very complicated!
Join the ADDG (Annapolis District Drama Group) when they present this rib-tickling comedy. It’s written by William VanZandt and Jane Milmore and directed by Miles Leahy. The cast includes all-time favourites from ADDG, as well as some surprises in casting, proving that ADDG has lots of talent when it comes to acting.
Tickets are on sale now so reserve your seat early!
TICKETS available on line or at the Box Office (902.532.7704)
- Adults: $16
- Youth : $8
Click here to see a PDF of the Seating plan. Let us know your preferred seat and we will secure the closest available option. Tickets will be held at the Box Office for pick up.
Disclaimer: ” ‘Love, Sex and the IRS’ is a hilarious farce written in the 1970s and with occasional bawdy language and sexual references which some may find inappropriate by today’s standards. Minor changes have been made to soften the impact on our audiences, however the Annapolis District Drama Group is dedicated to honouring the author’s original script and intent. There remains situations and language which may offend or be upsetting to some people.” – Miles Leahy, Director
Online ticket sales for this event are closed.
The Olivier Award winning production of Shakespear’s The Winter’s Tale starring Kenneth Branagh and Judi Dench returns for an encore presentation.
The critically acclaimed production was the first in the hugely successful Kenneth Branagh Theatre Company Live season, which was broadcast to cinemas from London’s Garrick Theatre over the course of a year in 2015. Due to phenomenal demand, the production returns to cinemas this festive season.
The tragicomedy of obsession and redemption is beautifully reimagined in a production co-directed by Rob Ashford and Branagh with a remarkable cast, featuring Dench as Paulina, alongside Tom Bateman (Murder on the Orient Express, Death on the Nile), Jessie Buckley (star of breakout British film Wild Rose), Hadley Fraser, Miranda Raison and Branagh as Leontes.
King Leontes appears to have everything: power, wealth, a loving family and friends. But sexual jealousy sets in motion a chain of events with tragic consequences…
“I am delighted our production of The Winter’s Tale is to return to cinemas around the world this December. We worked hard to bring the immediacy and excitement of the live stage production into cinemas, using film techniques to make these broadcasts appropriately cinematic, without compromising the theatrical experience. The Winter’s Tale was seen by over 250,000 people around the world the first time around, and we look forward to welcoming back people who saw it previously and as well as new audiences to this most magical Shakespeare play”
TICKETS:
- Member Price: $13.90 + hst = $16.00
- General Price: $17.40 + hst = $20.00
- Youth Price: FREE
Reserved seating. Tickets on sale in advance online, by phone, at the Theatre, and at the door.
Doors open 45 minutes before the show.
Click here to see a PDF of the Seating plan. Let us know your preferred seat and we will secure the closest available option. Tickets will be held at the Box Office for pick up.
REFUND/EXCHANGE POLICY: We do not give cash refunds but are happy to give a full credit for future purchases if tickets are cancelled with a 24-hour notice. Click here for more information about ticket policies.
Online ticket sales for this event are closed.
Leonardo da Vinci as you’ve never seen him before
Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased this extraordinary genius but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of Leonardo: The Works, as EXHIBITION ON SCREEN presents every single attributed painting, in Ultra HD quality, never seen before on the big screen. Key works include The Mona Lisa, The Last Supper, Lady with an Ermine, Ginevra de’ Benci, Madonna Litta, Virgin of the Rocks, and more than a dozen others.
This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo: the first to truly tell the whole story.
Directed by Phil Grabsky
Running time: 102 minutes
Tickets: $12 Adult, $6 Youth.
$30 for all three in Reel Art 2020 series at King’s Theatre, deadline January 7, 2020.
All prices include HST.
Doors open 45 minutes before showtime. General admission seating, tickets at the door.
Reel Art Film at ARTsPLACE
Gerhard Richter Painting
From Tahiti and the Marquesas Islands – in the panoramas Gauguin saw and portrayed – to the American museums of frenetic and hyper-modern metropolises where his greatest masterpieces are now preserved: New York – Metropolitan Museum of Art, Chicago – Art Institute, Washington – National Gallery of Art, Boston – Museum of Fine Arts. Marked by rebellion and other worlds’ craving, he died of syphilis – abandoned by everyone in the remote village of Hiva Oa.
In 1891 Gauguin leaves Marseille for the Pacific. It’s the beginning of a journey towards the essence of life and art, that will make him one of the greatest modern painters. Gauguin in Tahiti. Paradise Lost will take us to French Polynesia, in Tahiti and Marquesas Islands – to experience the landscapes that inspired him, amongst the locals whom he loved, on the trail of a story that has become myth. In the places where he built houses with bamboo and leaves, discovered light and colours which changed his painting forever, of the sensuality free of inhibitions of the indigenous girls. The documentary will also bring us to Paris, Bretagne, Edinburgh, and to the most prestigious art museums of the United States, where most of his masterpieces are preserved: The Metropolitan Museum of Art – New York; The Art Institute of Chicago; The National Gallery of Art – Washington; The Museum of Fine Arts – Boston.
Directed by Claudio Poli
Running time: 127 minutes
Tickets: $12 Adult, $6 Youth.
$30 for all three in Reel Art 2020 series at King’s Theatre, deadline January 7, 2020.
All prices include HST.
Doors open 45 minutes before showtime. General admission seating, tickets at the door.
Location: ARTsPLACE
The Price of Everything
by Nathaniel Kahn, 2018
With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a mirror up to our values and our times–where everything can be bought and sold.
The film highlights the two sides of Frida Kahlo’s spirit:
on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship. With Asia Argento as narrator, the two faces of the artist will be revealed, by pursuing a common thread consisting of Frida’s own words: letters, diaries and private confessions. The film alternates interviews, with original documents, captivating reconstructions and Frida Kahlo’s own paintings, kept in some of the most amazing museums in Mexico.
Directed by Giovanni Troilo
Running time: 130 minutes
Tickets: $12 Adult, $6 Youth.
$30 for all three in Reel Art 2020 series at King’s Theatre, deadline January 7, 2020.
All prices include HST.
Doors open 45 minutes before showtime. General admission seating, tickets at the door.
Location: ARTsPLACE
Beauty Is Embarrassing : The Wayne White Story
Beauty Is Embarrassing is a funny, irreverent, joyful and inspiring documentary featuring the life and current times of one of America’s most important artists, Wayne White.
Raised in the mountains of Tennessee, Wayne White started his career as a cartoonist in New York City. He quickly found success as one of the creators of the TV show, Pee-wee’s Playhouse, which led to more work designing some of the most arresting and iconic images in pop culture. Most recently, his word paintings, which feature pithy and often sarcastic text statements crafted onto vintage landscape paintings, have made him a darling of the fine art world.
Beauty Is Embarrassing chronicles the vaulted highs and the crushing lows of a commercial artist struggling to find peace and balance between his work and his art. Acting as his own narrator, Wayne guides us through his life using moments from his latest creation: a hilarious, biographical one-man show. The pieces are drawn from performances at venues in Tennessee, New York and Los Angeles including the famous Roseland Ballroom and the Largo Theater.
Whether he’s parading a twenty foot tall puppet through the Tennessee hillside, romping around the Hollywood Hills dressed in his LBJ puppet suit, relaxing in his studio pickin’ his banjo, or watching his children grow up much too soon, Wayne White always seems to have a youthful grin and a desperate drive to create art and objects. It is an infectious quality that will inspire everyone to find their pleasure in life and pursue it at all costs.
At its core, Beauty Is Embarrassing is a reminder that we should all follow our passion. It is those creative impulses that will lead us to where we need to go.